Hidden in Plain Sight: Northwest Impressionism, 1910-1935

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Hidden in Plain Sight: Northwest Impressionism, 1910-1935

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dc.contributor.advisor Casteras, Susan en_US
dc.contributor.author Impert, John Edward en_US
dc.date.accessioned 2012-09-13T17:24:48Z
dc.date.available 2012-09-13T17:24:48Z
dc.date.issued 2012-09-13
dc.date.submitted 2012 en_US
dc.identifier.other Impert_washington_0250E_10343.pdf en_US
dc.identifier.uri http://hdl.handle.net/1773/20585
dc.description Thesis (Ph.D.)--University of Washington, 2012 en_US
dc.description.abstract Northwest Impressionist artists are among the forgotten figures in American art history. Responsible for bringing Modernism to Washington and Oregon, they dominated the art communities in Seattle and Portland from about 1910 to 1928, remaining influential until the mid 1930's. Six important artists who have not been studied elsewhere are each accorded a chapter that summarizes their educations, careers, and artistic developments: Paul Gustin, Edgar Forkner, and Dorothy Dolph Jensen in Seattle, and Charles McKim, Clyde Keller, and Clara J. Stephens in Portland. Their iconography of tall mountains and decrepit sailing ships is explored, and their work is compared to American Impressionists in California and elsewhere. The quality and originality of their art is made evident. en_US
dc.format.mimetype application/pdf en_US
dc.language.iso en_US en_US
dc.subject gustin; impressionism; laurence; mckim; northwest; ziegler en_US
dc.subject.other Art history en_US
dc.subject.other Fine arts en_US
dc.title Hidden in Plain Sight: Northwest Impressionism, 1910-1935 en_US
dc.type Thesis en_US
dc.embargo.terms No embargo en_US


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