SYMPHONIC BAND (" Denotes Principal) PICCOLO 'Jennifer Scott, Sr., Ethnomusicology, Puyallup FLUTE Heather Bascom, Jr., Music EdlPiano, Lynnwood Lori Bockovich, Fr., Bothell 'Nancy Gove, Grad., Quant. Ecology and Resource Management, Seattle .. Karen Kubischla, Fr., Sammamish Cindy Lee, Fr., Bellevue Helen Lee Soph., Marine Biology and Zoology, Tracy Martin, Fr., Woodinville Heather McRobbie, Mechanical Engr, Engr, Edmonds Katie Plimpton, Fr., Seattle Joe Roberts, Jr., Computer Science, Federal Way Jennifer Scott, Sr., Ethnomusicology, Puyallup 'Oscia Timschell-LinviJIe, Soph., Architecture, Seattle OBOE Chase Chang, Grad, Seattle CLARINET Michal Brehm, Fr., Sammamish Art Brown, Fr., Edmonds 'Chris Brown, Sr., Infonnatics, Edmonds Desiree Clement, Soph., AstronomylPhysics/Geology, Oothell Laurel Greenidge, Jr., English, Renton Sharon Gundersen, Soph., Chemical Engr, Poulsbo Jennifer Hixson, Jr., English. Seattle Phdar Kinlow, Jr., Music Ed/Performance, Renton Matt Loo, Soph., Federal Way Cathy Mader, Sr., MathlFrench, Benicia(CA) Jennifer Mann, Grad, Ed, Tacoma Eileen Peery, Fr., Comptiter Science, Longview Emily Ross, Soph., Business Administration, Boise(lD) Keith Stewart, Jr., Chemistry and Oceanography, Wenatchee David Stauffer, Fr., Aerospace Engr. Spokane BASS CLARINET Bryan Wingert, Fr., Electrical Engr, Puyallup CONTRABASS CLARINET Mathew Brown, Soph., International StudieslMusic, Bothell BASSOON ALTO SAXOPHONE Shane Barkley, History Nathan Nielson, Computer Science, Seattle Reid Stintzi, Zoology. "Derek Viila, Psychology, TENOR SAXOPHONE "Eric Haskins, Soph" Wenatchee r Ryan Muller. Jr" Psyeh.iCell Molecular Biology, Seattle BARITONE SAXOPHONE Michelle Detrick. Soph" Renton HORN Andrew Gingras, Sr., 'Matt Gregory, Fr" P Carrie Lawson, Fr., Business, Dominique Lewis, Economics, Auburn Karen Mildes, Grad, Psychology, Seattle Acacia Moore, Soph,. English/Linguistics, Langley(BC) Becc. SUlifant, Soph" Speech and Hearing Science/Sociology, Seattle Julie Smith, Soph., Business Admin., Boring(OR) Danny Vaughn, Soph., Kirkland TRUMPET Carliegh Burress. Soph" Communications, Mercer Island Jesse Coe, Soph,. Fallon(NV) Elaina DeVera, Soph., Microbiology, Federal Way Casey Eastman, Fr., Port Orchard Hassie Harris Alan Jackman, Sr" Business Admin,. Olympia Christina Martin Tony Offer, Soph., Bothell *Chris Pearson, Soph., Physics, Bothell Daniel Rivas, Fr., Tigard(OR) Will Wheat, Jr., Drama/Economics, Seattle TROMBONE 'Dennis Asis, Sr., Music. Seattle Vii-Ann Chen, Jr., Communications, Renton Steve Finkelstein, Soph" ASlronomylPhysics, Sammamish Brandon Freeman. Fr., Sumner Nicholas Klein. Fr., Engr, Bremerton Michael Leone, Sr., Music Ed. Mill Creek Jon Mclrvin. Fr., Kent Albert MUngin 111, Soph.? Reilly Pittman, Fr., Pre-Engr, Mary Wiese, Jr" Biology, Federal Way EUPHONIUM "David Carver, Soph,. Music Ed, Bellevue Crystal Johnson, Fr" Concord(CA) TUBA Susan Ellison, Sr.. CommunicationsfPolitical Science, Kent *Eric Mildes. Jr" Paper SeieneelEngr. Seattle Jonathan 7.ull, Sr., Music FA, Arlington PERCUSSION Shelley Bloom, Jr., Speech and Hearing Sciences, Tacoma Michelle Fleck, Bellevue Andy Kalinski, Soph .? Music, Bellevue "Justin Williams, Sr" Classics, Seattle B3?(8 1> -I $('i5 2.()~ , of Washington C l) - I '/9b SCHOOL OF MUSIC 3-1;> r::\ tf7-1? Presents UNIVERSITY BANDS March 6, 2001 7:30 PM Meany Theater Cb - '3(81" CONCERT BAND Q] WALKiNG TUNE " ..C?,!,j.~). ................. PERCYGRAINGER arr. by Larry Daehn Conny Chen, conductor G::.I RIKUDIM.........Q.Q;.9..1.) ................... JANVANDERROOST - Timothy Salzman, conductor SYMPHONIC BAND /2-1 rvt:JJ Brad McDavid, conductor THE PATRIOTS .......(t.J.t.., .~.} ............ CLIFTON WILLIAMS (13'3')LINCOLNPORTRAIT...~ ... ,! .....l. ...............AARON COPLAND trans. by Walter Beeler Frazer Cook, narrator INTERMISSION (D- f3{~'l::f- GJ WIND ENSEMBLE Timothy Salzman, conductor OJ SMETANA FANFARE .... ("?\."?.})............ ,......KAREL HUSA CONCER1V FOR ALTO SAXOPHONE ('II /I~) AND WIND ENSEMBLE .... ,., ....?.......... , ?... DAVID MASLA~KA Michael Brockman, alto saxophone WALKING TUNE In the surruner of 1900, near the end of his studies at the Frankfurt Conservatory, Percy Grainger, then an 18-year-old Australian composer, vacationed in the Scottish Highlands. He was deeply moved by the rich accents of the Scots, the stark shapes of the hills, the swirling tartans, and the strident sounds of the bagpipes, and later described his visit to the Scotland as the most important single artistic influence in his life. It was during this journey that he conceived the lovely melody for his Walking Tune. Originally scored for a wind quintet in 1905, Grainger arranged the tune for various instrument groupings until finally accepting a corrunission from Eugene Gossens and the Cincinnati Symphony Orchestra for an arrangement for the orchestra's wind section in 1940. The premiere of that particular arrangement was well received, but the manuscript was never .. published and subsequently neglected and "lost." This arrangement of Walking Tune maintains Grainger's original instrumentation and is augmented for full concert band. THE PATRIOTS The Patriots Processional March was commissioned for the NASA Research center, Langley AF Base, by friends of Thomas Nelson Community College, and was first performed at a special dedi? catory service at the new college in October, 1968, by the US Tactical Air Corrunand Band, con? ducted by the composer. Prior to publication, the march had been used for many ceremonial occa? sions by NASA and by the bands of the several military installations in the area. It is music of great dignity and patriotic sensibility. James Clifton Williams Jr. was born in Traskwood, Arkansas, in 1923. Despite the financial difficulties of the depression of the early 1930's, Williams fared well in school, learning the piano, mellophone, and french hom. In his senior class of 600, he was voted the most outstanding in artistry, talent, and versatility. In 1942, he joined the Army Air Corps as a bandsman, serving as drum major and composing works at every opportunity. After the war, he attended Louisiana State University and went on to earn his M. M. degree at the Eastman School of Musicin 1949. He taught at the University of Texas at Austin for seventeen years. In the 10 years before his death in 1976, he served as chairman of the department of theory and composition at the University of Miami, where he was influenced by and became close friends with Frederick Fennell LINCOLN PORTRAIT As Americans were gathering their resources following the attack on Pearl Harbor, Andre Koste? lanez approached Aaron Copland, Virgil Thomson, and Jerome Kent with the idea of a series of concerts that would prominently feature "a portrait gallery of great Americans". Thomson's sub? ject was New York May Fiorello LaGuardia. Copland's first choice was Walt Whitman, but when Kern chose Mark Twain, Kostelanez suggested that Copland choose a statesman, rather than another literary figure. Abraham Lincoln seemed an inevitable choice. Sifting through the Presi? dent's speeches and writings, Copland chose a few excerpts that were particularly relevant to America's situation in 1942. Copland's score is not a literal exposition of Lincoln's pronouncements, but an extraordinarily skilled way of applying and combining free-sounding music with specific prose meanings. It is as moving and significant as the words Lincoln wrote. The composition is divided roughly into three main sections. In the opening, Copland hoped to suggest something of a mysterious sense of fatality that surrounds Lincoln's personality, transitioning to suggestions of his gentleness and simplicity of spirit. Brief sketches, in the quick middle section, relate to the times in which Lincoln lived. The conclusion draws a simple but impressive frame about the words of Lincoln himself. SMETANA FANFARE was corrunissioned by the San Diego State University for the 1984 Interna? tional Musicological Conference and Festival of Czechoslovak Music honoring the Czech com? poser Bedrich Smetana (1824-1884). The San Diego State University Wind Ensemble on the occasion of the centennial celebration of Smetana's death premiered it on April 3, 1984. This short, declamatory work uses two excerpts from Smetana's symphonic poem Wallenstein's Camp, a work completed in 1859 in Goteberg, Sweden, during his exile from Prague. Smetana's greatest influence on Husa was "his sincerity of feeling and his expression of the struggle for national iden? tity and freedom in Czechoslovakia." Smetana Fanfare is undeniably Husa; massive fanfare-like textures with multiple divisis required (8 trumpet parts); driving ostinati, rhythmically unison r In addition, Mr. Cook has done the public address readings for hundreds of ceremonies and presentations honoring championship athletic teams, individual sports stars, inductees to both the college and professional Halls of Fame, and introductions of government officials, civic leaders, and such notables as Bob Hope and Her Majesty Queen Elizabeth II. This past football season, the University of Washington honored Mr. Cook in a pre-game ceremony celebrating his 40 years as the Pre-game and Halftime Announcer for the UW Husky Marching Band. CONDUCTORS BRAD McDA VID is in his seventh year as director of the University of Washington Symphonic Band. In addition to his duties as a faculty member in the UW School of Music he also serves as director of the Husky Marching Band which involves coordinating the activities of one of the most compre? hensive athletic band programs in the country. McDavid is also in demand as a clinician, adjudi? cator, and guest conductor throughout the United States. A native of Centerburg, Ohio, he has served as Director of Bands at Licking Heights High School in Sununit Station, Ohio, and Tempe High School in Tempe, Arizona. Brad received his Bachelors Degree in Music Education from The Ohio State University in 1985 and his Master of Music Degree from Arizona State University in 1990. He received his Ph.D in Music Education from Ohio State in 1999. He has also completed additional graduate studies while working with the Purdue Band Department. His professional affiliations include The Music Educators National Conference; Washington Music Educators Association; World Association for Symphonic Bands & Ensembles; the College Band Directors National Association; and is a life member and Western District Governor for the national collegiate band fraternity, Kappa Kappa Psi. He also serves on several award selection committees for the John Philip Sousa Foundation. TIMOTHY SALZMAN is Professor of Music at the University of Washington where he serves as a conductor of the Wind Ensemble and teaches students enrolled in the graduate conducting pro? gram. Prior to his appointment at the UW, he served as Director of Bands at Montana State Uni? versity where he founded the MSU Wind Ensemble. From 1978 to 1983 he was band director in the Herscher, Illinois, public school system where the band program received several regional and national awards in solo/ensemble, concert and marching band competition. Professor Salzman holds degrees from Wheaton College (Bachelor of Music Education), and Northern Illinois Uni? versity (Master of Music in low brass performance), and has studied privately with Arnold Jacobs, former tubist of the Chicago Symphony Orchestra. He has numerous publications for bands with the C. L. Barnhouse, Arranger's Publications, Columbia Pictures and Hal Leonard Publishing com? panies, and has served on the staff of new music reviews for the Instrumentalist magazine. Mr. Salzman is a national artist/clinician for the Yamaha Corporation of America and has been a con? ductor, adjudicator, or arranger for bands in over thirty states, Canada, England, Japan, South Korea and Russia. .. THE WIND ENSEMBLE FLUTE Dane Anderson, Sr., Music Performance, Fresno (CA) Ann Kjerulf, Sr., Music Performance/Spanish, Stockton(CA) Jennifer Christie, Jr., Music Performance, Vancouver Jenny Bailey Paula DeMoss, Sr., Music Performance, Lakebay Helen Lee, Jr., Music Performance/Japanese Linguistics, Seattle OBOE Yuh-Peh Lin, Grad, Music Performance, Taiwan Ashley Cragun, Jr., Music Performance, Port Angeles Andrew Jacobson, Soph., Music Performance, Edmonds EbCLARINET Michael Byerly, Fr., Music Performance, Beaverton (OR) CLARINET Rudy Dennis, Grad, Music Performance, Auburn Ben Fowler, Sr., Orchestral Studies, Bothell Matthew Nelson, Fr., Pre-Engineering, Vancouver Maren Mitchell, Grad, Public Affairs, San Antonio(TX) Lisa Lee, Jr., Business, University Place Amy Coates, Soph., Sociology, Brush Pairie Starlet Jacobs, Jr., Music Performance!Act, Silverdale Lisa Hagen, Sr., Psychology, Yakima Sherrie Shinjo, Jr" Psychology, Aiea(HI) BASS CLARINET Theresa Marks, Fr., Pre-Major, Woodinville Kristie Fenn BASSOON Tracy Bergemann, Grad, Biostatistics, Milwaukee(WI) Jacob Kauffmann ALTO SAXOPHONE Brad FilCh, Sr., Music Performance, Garonerville(NV) Nicole Bames, Fr., Tacoma TENOR SAXOPHONE Phillip Cheung, Sr., Music PerformancelBusiness, Federal Way BARITONE SAXOPHONE Phdar Kinlow, Fr., Music PerformancelEducation, Renton HORN Jay Stainbrook, Jr., Philosophy, Spokane Tanya Jesson, Jr., Music Performance, Tacoma Kim Mey, Fr., Speech/Hearing Sciences, Kennewick Anna Tolan, Jr., RussianlFrench, Bremerton TRUMPET David Bayes, Grad, Music Performance, Arcata(CA) Eri Inoue, Fr., Music Performance, Toyama(JAPAN) Jonathan Eck, Sr., Composition, Federal Way Joy Lyons, Sr., PhysicslMusic Performance, Seattle John Benedetti, Jr., Music Performance, Ravensdale Rabi Lahiri, Sr., Computer Science, Federal Way TROMBONE Peter Blau-Ormsby, Grad, Music Performance, Sarnish Island Stephen Nickels, Sr., Aerospace Design, Madison(WI) Jared Stewart, Soph., Mathematics, Mercer Island David Carver EUPHONIUM Adam DeBruler, Jr., Auburn Nelson Beli, Sr., Music Performance, Olympia TUBA Tyler Smjth, Sr., Music Education, Lake Elsinore (CA) Tyler Benedict, Jr., Music Performance, Port Angeles STRING BASS Chris Davidson PERCUSSION Daniel Brecht-Haddad, Soph., Music Performance, Seattle Chrislian Krehbiel, Sr., Music Performance, Spokane Conney Lin, Sr., Piano Performance, Seattle Russ Nyberg, Sr., Music Performance, Seattle David Reeves, Grad, Music Performance, Greenwood(IN) Anne Richards, Sr., Zoology, Kenmore Michael Roling, Sr., Music Performance, Pasadena(CA) CONCERT BAND FLUTE I Jessica Lee, Fr., Biochemistry Katie Belierud, Sr., Medical technology Eileen Hsu, Jr., ArtlPolitical Science Valentine Luu, Fr. (+ Pice.) Michele Hutchinson, Fr. Amanda Ogden, Fr. (+ Pice.) Nancy G0ve, Grad., Quant. Ecology/Resource Mgmt. Jr., Communications Arielle Anderson, Soph. Dara Ayres, Community member Dylan Greene, Grad., Physics Carley Simpson, Fr., Communications Marissa Uchima, Fr., Pre-major r woodwind choir dissonant textures and emphatic percussion are hallmarks of this work. Through? out the piece there is a sense of increased dissonance via the use of "Renaissance thirds" or the simultaneous sounding of major and minor thirds. Husa achieves a dramatic ending to the Fanfare by increased volume and a particularly dense instrumental texture as the lower voices are intro? duced in reverse score order. Karel Husa, winner of the 1993 Grawemeyer Award and the 1969 Pulitzer Prize for Music, is an internationally known composer and conductor. An American citizen since 1959, Huss was born in Prague, Czechoslovakia, on 7 August 1921. After completing studies at the Prague Conser? vatory and, later, the Academy of Music, he went to Paris where he received diplomas from the Paris National Conservatory and the Ecole nonnale de musique. Among his teachers were Arthur Honegger, Nadia Boulanger, Jaroslav Ridky, and conductor Andre Cluytens . In 1954, Husa was appointed to the faculty of Cornell University where he was Kappa Alpha Professor until his retirement in 1992. Husa's String Quartet NO.3 received the 1969 Pulitzer Prize, and his Cello Concerto the 1993 Grawemeyer Award; Music for Prague 1968 - with over 7000 perfonnances worldwide -- has become part of the modem repertory. On 13 February 1990, Husa realized a long-time dream when he conducted the orchestral version of Music for Prague 1968 in Prague. Karel Husa has conducted many major orchestras including those in Paris, London, Prague, Zurich, Hong Kong, Singapore, New York, Boston, and Washington. Among numerous recordings-including his own works-he made the first European disc of Bartok's Miraculous Mandarin with the Centi Soli Orchestra in Paris. Every year, Husa visits the campuses of some 20 universities to guest conduct and lecture on his music. CONCERTO FOR ALTO SAXOPHONE AND WIND ENSEMBLE This concerto turned out to be a good deal larger than I would reasonably want. As I got into the composing, the ideas became insistent: none would be left out! The fonnat of Songs and Interludes arises from my other recent works for saxophones ("Mountain Roads" and "Song Book") and sug? gests a music that is more intimate than symphonic. There is a strong spiritual overtone with quotes from Bach chorales, and from my own works "Hell's Gate" and "Mass." A story is being hinted at which has the Crucifixion right smack in the middle - the climax of the third movement quotes from the "Crucifixus" from the "Mass." I don't know what the story is, only that it wants to be music and not words. 1. Song: "Fire in the Earth" Walking through a Montana field on a brilliant late Fall day, three images came in rapid succes? sion: a distant row of red plant stems caught by the morning sun, snow on the surrounding high mountains, green grass at my feet. The following poetic image came: Fire in the earth. Snow in the heavens New green grass in the middle of November This is a quiet, emotional music-sometimes not so quiet-<:ontained by a very simple song fonn. II. Interlude: "Bright Window. Your Night is Full o/Stars" "Bright Window" is the soprano song right before the Credo in my "Mass." I have transcribed it whole as a beautiful solo song for the solo saxophone. The words of the original song reach out in prayer to the Holy Mother and ask for a personal connection with all that is, This movement is dedicated to the memory of Joseph Christiansen, Director of Bands at Iowa State University, whose untimely death was a shock to his many friends. lJI. Song: "Dear Jesus, what have you DONE?!" 1 This music growas out of the chorale "Herzliebeste Jesu, was hast du verbrocken" ("Dearest Jesus, what law did you break"). The chorale is the starting point for a huge upsurge of powerful emo .. tion, cresting with the climax of the "Crucifixus" from my setting of the Mass. IV. Interlude: "Starry Night" "Stany Night" is not a quiet night: There is both mystery and playfulness in this music, and playful? ness finally wins out, erupting into an extended dance episode with a very Baroque feel. Of all the movements, this one is most nearly a scherzo. V. Song: "Morlal, have you seen Ihis?" In the Book of Ezekiel, the prophet has a vision of the man "whose appearance shone like bronze." The "Bronze Man" shows him the Holy City. He then leads him into a deep and very wide river that cannot be crossed, and says "Mortal, have you seen this?" Where the river enters the sea the water becomes fresh; everything will live where the river goes; trees along the river will not wither, their fruit will be for food, their leaves for healing. This movement is an echo of the third. It opens and closes with what has been called the "coronation" music from my composition "Hell's Gate"-in this case played very softly and inwardly. [Program Noles By Composer} '. David Maslanka was born in New Bedford, Massachusetts in 1943. He attended the Oberlin Col? lege Conservatory where he studied composition with Joseph Wood. He spent a year at the Mozarteum in Salzburg, Austria, and did graduate work in composition Ilt Michigan State Univer? sity with H. Owen Reed. Maslanka's works for winds and percussion have become especially well known. They include among others, "A Child's Garden of Dreams" for Symphonic Wind Ensemble, "Concerto for Piano, Winds and Percussion," the 2nd, 3rd, and 4th symphonies, "Mass" for soloists, chorus, boys chorus, wind orchestra and organ, and the two Wind Quintets. Percussion works include, "Variations of 'Lost Love'" and "My Lady White: for solo marimba, and three ensemble works: "Arcadia II: Concerto for Marimba and Percussion Ensemble," "Crown of Thoms," and "Montana Music: Three Dances for Percussion." In addition, he has written a wide variety of chamber, orchestral, and choral pieces. He has served on the faculties of the State University of New York at Geneseo, Sarah Law? rence College, New York University, and Kingsborough College of the City University of New York. He now lives in Missoula, Montana. GUEST ARTISTS Saxophonist MICHAEL BROCKMAN moved from the East Coast to Seattle in 1987 to Jom the UW School of Music faculty. He instructs concert and jazz saxophone perfonnance, and jazz arrang? ing and composition. He earned a Master of Music with Distinction from the New England Con? servatory in Boston, and a Bachelor of Music from Lewis and Clark College. He also attended the Berklee College of Music in Boston, and the Musikhochschule in Cologne, Gennany. Brockman is an active recitalist and professional perfonner in numerous Seattle ensembles, including the Seattle Symphony Orchestra, the Pacific NW Ballet, the Auburn Symphony, and the Clarence Acox Sextet (whose 1991 CD, "Joannas Dance" and 1992 CD "Indigenous Groove" were consecutively selected as Album of the Year by Seattle's Earshot Magazine). He has premiered many new works for saxophone by Northwest composers, and has appeared as a soloist in the Riems Music Festival, the Dubrovnik Music Festival, the World Saxophone Congress, the Stanford Computer Music Festival, the New Music Across America Festival, the Seattle New Music for Saxophone Festival, the Northwest Saxophone Symposium, and many others. An authority on the music of Duke Ellington, Brockman is co-director of the award-winning Seattle Repertory Jazz Orchestra, which presents the annual Duke Ellington Sacred Concert in Seattle (now in its 13th year), plus an annual SUbscription concert series of rare and classic big band works. FRAZER CooK is a familiar voice to many in the Northwest. He began doing radio announcing while working as the Assistant Manager of KUOW-FM, became a booth announcer for KCTS? TV, and, while still a student at the University of Washington, became an announcer for KIRO? AM in Seattle. After graduation, he pursued a career in communications and media at KING-TV, The Boe? ing Company, and later at the University of Washington, but continued public performances throughout the Northwest as a public address announcer for eleven seasons of the Kingbowl Marching Band Festival, Master of Ceremonies for several WMEA All-State concerts, and pre? senter of a work by Dylan Thomas at an All-Northwest concert. His association with the University of Washington has taken Mr. Cook to many parts of the nation to do public address work at Disney World, Knott's Berry Fann, and Disneyland, Universal Studios, three World's Fairs, and at pre-game and halftime ceremonies for eighteen bowl games, including eight Rose Bowls. FLUTE II Evie Foist, Fr., Biology Andrea Amen, Fr. Tina Lin, Soph. Andrea Smith, Soph., Botany Stephanie Thomas, Fr., Engineering Stephanie Sutten, Fr. Amy Chen, Soph., Music Debbie Stoner, Soph., Chemical engineering Jacqueline Hailey, Soph., FrenchlEducation Sylvia Wong, Jr., French Evangeline Inglis, Jr., Sociology Suin Son, Jr., Music Felicia Vierra, Fr., Microbiology OBOE I Heather Klintworth, Sr., Biology Rania Rampersad, Fr. OBOE III ENGLISH HORN Stacy Schulze, Grad., Chemistry Jim Herriman, Sr., Music David Li, Sr., Electrical Engineering BASSOON Matthew Nguyen, Sr., CS/ACMS CLARINET I Kim Lintoll, Community Member Lindsay Schulz, Fr., Speech CommunicationslMusic James Draper, Sr., Biology Phdar Kinlow, Jr., Music Erika Eggers, Grad., Physiology/Biophysics Catherine Foster, Grad., Archaeology Matthew Loc, Soph., Pre-major CLARINET II Nick Llewellyn, Jr., Microbiology Ben Warrick, Sr., Electrical engineering Linda O,Gara, Community member Petra Herguth, Grad., MSE Sarah Starr Peterson, Fr., Industrial Design Matt Lease, Community member Colleen Evans, Fr., Microbiology CLARINET III Julie Meyers, Grad., Nutritional Science Pam MacRae, Community member Heidi Perry, Jr., Chemistry/math Amanda Rice, Soph., Aquatic Science Naoko Kano Emma Blair, Soph., History BASS CLARINET Benjamin Leis, Community member ALTO SAXOPHONE I Paul Chi, Soph., Poli ScVCommunications Dustin Hillard, Jr., Electrical engineering Andrew Stoneman, Soph. Justin Melland, Jr., Composition ALTO SAXOPHONE II Nicholas Noack, Sr., Computer engineering Emily Thompson, Fr., Fisheries Kara Mayeda, Jr., Fisheries BARJTONE SAXOPHONE Eric Hultman, Fr., Computer engineering HORN I Kyle Sundqvist, Sr., Physics Kallie Szczepanslci, Grad., Law HORNH Suzann Wright, Soph., English Elizabeth Johnson, Soph., Biochemistry HORN III Ashley Hutton, Soph., Pre-major Donald Aldennan, Fr., Pre-major HORN IV Whitney Neufeld-Kaiser, Community member TRUMPET I Josh Greegor, Sr., Electrical engineering Kyung Hong, Jr., Poli. Sci. Eri Inoue, Fr., Music Leroy Searle, Professor, English Tyson Stem, Music TRUMPET II Chad Lyle, Soph., Computer engineering Steven Sirotzki, Sr., Music theory/history Sigurd Gustafsson, Fr. Colin Anderson, Soph., Engineering TRUMPET III Oliver Stanbury, Soph. Business Chris Spangler, Jr., Computer Science Todd Owen, Sr., Electrical Engineering Craig Terry, Fr. TROMBONE I Michael Leone, Sr., Music ed. Andrew West, Grad., Astronomy Sean Doyle, Community member TROMBONE II Nicholas Klein, Fr., Electrical engineering Lloyd Rhoads, Soph., Chemical engineering Justin Huff, Jr., Computer engineering Chris Wiley, Soph., A.A. TROMBONE III Cameron Anderson, Soph. Collin Kwan, Jr., Architecture Fuzulci Ito TUBA Peter Safranek, Jr., Computer Science Jerry Neufeld-Kaiser, Community Member EmilyChu PERCUSSION Jeff Powell, Sr., Music ed. Brian Turner, Fr., Computer science Chris Watennan, Sr., Computer science Andrea Kilgore, Fr., Social Sciences Michael Dennis, Community Member ? Kelly Clingan, Sr., Music Education