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Danza Macabra: The Reevaluation of Antonio Margheriti through His Film Castle of Blood

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dc.contributor.advisor Sharkey, Joe en_US Diak, Nicholas Paul en_US 2012-09-13T17:39:13Z 2012-09-13T17:39:13Z 2012-09-13 2012 en_US
dc.identifier.other Diak_washington_0250O_10364.pdf en_US
dc.description Thesis (Master's)--University of Washington, 2012 en_US
dc.description.abstract Antonio Margheriti is an Italian film director who has not been the recipient of much academic or critical reassessment. Despite being a director for forty years, single handedly creating Italy's sci-fi genre, and being the first Italian director to make films critical of the Vietnam War, his contributions to Italian film canon are unrecognized. This thesis attempts to remedy this by examining one of his films, <italic>Castle of Blood</italic>, in order to set the foundation for future academic work on reassessing not only Antonio Margheriti, but other Italian genre directors as well. This thesis uses the vernacular film theory instead of the traditional auteur theory when analyzing Margheriti and <italic>Castle of Blood</italic>. The conclusions drawn from the thesis is that <italic>Castle of Blood</italic> is an important film in bridging the sexuality gap in Italy during the 1960s, despite a period of influence from the Christian Democratic Party who regulated much of the cinema. The effects of <italic>Castle of Blood</italic> of challenging sexual notions in Italian film cement Margheriti as an important director and worthy of additional reconsideration. en_US
dc.format.mimetype application/pdf en_US
dc.language.iso en_US en_US
dc.rights Copyright is held by the individual authors. en_US
dc.subject Castle; Exploitation; Film; Italy; Margheriti; Vernacular en_US
dc.subject.other Film studies en_US
dc.subject.other Interdisciplinary arts and sciences - Tacoma en_US
dc.title Danza Macabra: The Reevaluation of Antonio Margheriti through His Film Castle of Blood en_US
dc.type Thesis en_US
dc.embargo.terms No embargo en_US

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