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dc.contributor.advisorRadnitz, Scotten_US
dc.contributor.authorSkaar, Suzanneen_US
dc.date.accessioned2013-07-25T17:53:18Z
dc.date.available2013-07-25T17:53:18Z
dc.date.issued2013-07-25
dc.date.submitted2013en_US
dc.identifier.otherSkaar_washington_0250O_12012.pdfen_US
dc.identifier.urihttp://hdl.handle.net/1773/23542
dc.descriptionThesis (Master's)--University of Washington, 2013en_US
dc.description.abstractThis paper looks at the connection between guerrilla art and protest in modern Russia, specifically in the major cities of St. Petersburg and Moscow. A historical context is provided to show the long tradition of guerrilla art in Russia. Collective action frames, framing processes, and narrative are used to explain how guerrilla art has been used in protest movements. While the author includes some of her original documentation of street art found in both major city centers, she also draws upon the relationship between two of the more famous Russian guerrilla art collectives, Voina and Pussy Riot, and Russian authority.en_US
dc.format.mimetypeapplication/pdfen_US
dc.language.isoen_USen_US
dc.rightsCopyright is held by the individual authors.en_US
dc.subjectactivism; guerrilla art; protest; Russia; social movements; street arten_US
dc.subject.otherSlavic studiesen_US
dc.subject.otherCultural anthropologyen_US
dc.subject.otherPolitical Scienceen_US
dc.subject.otherto be assigneden_US
dc.titleGuerrilla Art and Protest in Modern Russiaen_US
dc.typeThesisen_US
dc.embargo.termsNo embargoen_US


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