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dc.contributor.advisorTerry, Carole Ren_US
dc.contributor.authorWhitmore, Roseen_US
dc.date.accessioned2013-07-25T17:54:02Z
dc.date.available2015-12-14T17:55:54Z
dc.date.issued2013-07-25
dc.date.submitted2013en_US
dc.identifier.otherWhitmore_washington_0250E_12017.pdfen_US
dc.identifier.urihttp://hdl.handle.net/1773/23569
dc.descriptionThesis (D.M.A.)--University of Washington, 2013en_US
dc.description.abstractEdward Elgar's Sonata in G major for Organ, op. 28 demonstrates a pattern of symphonic influence and derivation in much of the work's compositional material. Discussion of the Sonata with respect to symphonic form and orchestration, comparison with nineteenth-century works including Brahms's Second Symphony, and revelation of a Pianola transcription of the Sonata will show that Elgar used the Sonata in G major for Organ, op. 28 to develop his compositional acuity in symphonic form. This work is an integral example of Elgar's compositional prowess--a vision fully realized in his First and Second Symphonies.en_US
dc.format.mimetypeapplication/pdfen_US
dc.language.isoen_USen_US
dc.rightsCopyright is held by the individual authors.en_US
dc.subjectEdward Elgar; Johannes Brahms; Nineteenth Century; pipe organ; Sonata in G for Organ; op. 28; symphonic influenceen_US
dc.subject.otherMusicen_US
dc.subject.otherPerforming artsen_US
dc.subject.otherHistoryen_US
dc.subject.othermusicen_US
dc.titleEdward Elgar: Sonata in G for Organ, op. 28 and Symphonic Idealismen_US
dc.typeThesisen_US
dc.embargo.termsDelay release for 2 years -- then make Open Accessen_US


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