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dc.contributor.advisorMorrison, Steven J.en_US
dc.contributor.authorWester, Kimberly Kirstenen_US
dc.date.accessioned2013-07-25T17:54:07Z
dc.date.available2013-07-25T17:54:07Z
dc.date.issued2013-07-25
dc.date.submitted2013en_US
dc.identifier.otherWester_washington_0250E_11573.pdfen_US
dc.identifier.urihttp://hdl.handle.net/1773/23577
dc.descriptionThesis (D.M.A.)--University of Washington, 2013en_US
dc.description.abstractThe purpose of this study is to provide an expressive interpretation of David Maslanka's Eternal Garden: Four Songs for Clarinet and Piano. Similar to past research on composers and the clarinetists they composed for, this study will provide a valuable primary source of the composer's inspiration, creative process, philosophy of expression and the clarinetist who commissioned the work. This examination will explore interpretation and an emotional relationship to the music, which was prompted by Maslanka's recommendation to acquire "a profound grasp, whether you have words for it or not, the reason for being of the piece." The first objective of this study is to develop an expressive interpretation of Eternal Garden from the clarinetist's perspective. The second objective was prompted by the deeply powerful responses that the author has experienced when performing and listening to Maslanka's compositions. Expressive characteristics in the author's interpretation that evoke powerful feelings and allow for such an experience to occur will also be explored. The first chapter will focus on Maslanka's musical training, development as a composer, and a section devoted to his expressive philosophy and creative process. The second chapter will review theories and philosophies of musical expression and meaning, followed by a brief survey of music and emotion research. This chapter is included to explore the philosophical and psychological perspectives of musical expression and meaning in order to provide a contextual framework for interpretation of expression in the last chapter. The author has chosen to approach the study of expression through a broad survey because the musical experience is multidimensional and compels this type of methodology. The final chapter will begin with a section devoted to Dr. Peggy Dees-Moseley the clarinetist who commissioned Eternal Garden and Desert Roads, discuss the commissioning process, and Maslanka's inspiration for the piece. Then an expressive interpretation of Eternal Garden will be provided based on the author's performance of the piece and the suggestion by Maslanka of "opening your mind fully to the music." Performance suggestions will also be included to guide an expressive performance of the composition.en_US
dc.format.mimetypeapplication/pdfen_US
dc.language.isoen_USen_US
dc.rightsCopyright is held by the individual authors.en_US
dc.subjectDavid Maslanka; Music Expression; Music Interpretationen_US
dc.subject.otherMusicen_US
dc.subject.othermusicen_US
dc.titleExpressive Interpretation in David Maslanka's "Eternal Garden: Four Songs for Clarinet and Piano"en_US
dc.typeThesisen_US
dc.embargo.termsNo embargoen_US


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