Show simple item record

dc.contributor.advisorHodge, Hucken_US
dc.contributor.authorVine, Anthonyen_US
dc.date.accessioned2014-02-24T18:32:38Z
dc.date.available2014-02-24T18:32:38Z
dc.date.issued2014-02-24
dc.date.submitted2013en_US
dc.identifier.otherVine_washington_0250O_12487.pdfen_US
dc.identifier.urihttp://hdl.handle.net/1773/25227
dc.descriptionThesis (Master's)--University of Washington, 2013en_US
dc.description.abstractFor Agnes Martin is a musical work scored for flute/piccolo, alto/soprano saxophone, two percussionists, piano, violin, and cello. The impetus behind this composition was to examine the 10-hole diatonic harmonica in terms of its pitch construction and timbral properties, and use this information to generate most of the work's content. With this approach, two primary harmonic/timbral reservoirs were employed throughout the piece: [1] a melodic sequence that was constructed from overlaid fragments of the harmonica's pitch layout, and [2] orchestrated ring modulation, which emulates the prominent combination tones of the harmonica. Varying presentations and interactions between these two entities shape the form of the work.en_US
dc.format.mimetypeapplication/pdfen_US
dc.language.isoen_USen_US
dc.rightsCopyright is held by the individual authors.en_US
dc.subjectExperimental Music; Harmonicas; Music Composition; Septeten_US
dc.subject.otherMusicen_US
dc.subject.othermusicen_US
dc.titleFor Agnes Martinen_US
dc.typeThesisen_US
dc.embargo.termsNo embargoen_US


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record