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dc.contributor.advisorJolly, Natalie
dc.contributor.advisorChamberlain, Ed
dc.contributor.authorDemmings, Naomi
dc.date.accessioned2017-02-14T22:35:34Z
dc.date.submitted2016-12
dc.identifier.otherDemmings_washington_0250O_16652.pdf
dc.identifier.urihttp://hdl.handle.net/1773/38049
dc.descriptionThesis (Master's)--University of Washington, 2016-12
dc.description.abstractThe purpose of this research is to examine the development and progression of HIV/AIDS stigma within a social structure of power and powerlessness from the early 1980s to the 2010s, through a case study of selected visual images. I focus on the social aspect of how HIV/AIDS is given social stigmas that cause as much suffering as the disease’s physical health effects. To do this, I apply Erving Goffman’s theory on stigma and analyzing visual images from the early 1980s, 1990s and early 2000s to consider how HIV/AIDS has been constructed and reinforced through time. In considering the historical context I show that each of these images responds to stigma as it existed in the early 1980s but also in the ways that it exists today.
dc.format.mimetypeapplication/pdf
dc.language.isoen_US
dc.rightsCC BY-NC-ND
dc.subjectHIV/AIDS
dc.subjectStigma
dc.subjectVisual Art
dc.subject.otherArt criticism
dc.subject.otherArt history
dc.subject.otherSociology
dc.subject.otherinterdisciplinary arts and sciences - tacoma
dc.titleHIVAIDS Social Stigma and Visual Art
dc.typeThesis
dc.embargo.termsDelay release for 1 year -- then make Open Access
dc.embargo.lift2018-02-14T22:35:34Z


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