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dc.contributor.advisorSheppard, Craig
dc.contributor.authorTran, Brooks
dc.date.accessioned2017-08-11T22:59:11Z
dc.date.available2017-08-11T22:59:11Z
dc.date.submitted2017-06
dc.identifier.otherTran_washington_0250E_17583.pdf
dc.identifier.urihttp://hdl.handle.net/1773/40279
dc.descriptionThesis (D.M.A.)--University of Washington, 2017-06
dc.description.abstractThis dissertation examines George Crumb’s use of symmetry and asymmetry, thematic transformation, and quotation in his 2001 solo piano work, Eine Kleine Mitternachtmusik. The paper reviews these compositional hallmarks as displayed in other works by Crumb, and offers an analysis of Mitternachtmusik, thereby revealing these elements in the piece.
dc.format.mimetypeapplication/pdf
dc.language.isoen_US
dc.rightsCC BY-NC-ND
dc.subjectCrumb
dc.subjectGeorge
dc.subjectMitternachtmusik
dc.subjectMonk
dc.subjectThelonious
dc.subjectMusic
dc.subject.otherMusic
dc.titleSymmetry, Thematic Transformation, and Quotation in George Crumb's Eine Kleine Mitternachtmusik
dc.typeThesis
dc.embargo.termsOpen Access


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