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dc.contributor.authorBedford, Elizabeth
dc.contributor.authorConor, Erin
dc.contributor.authorBurns, Dylan
dc.contributor.authorFakouri, Maryam
dc.date.accessioned2019-09-30T22:55:32Z
dc.date.available2019-09-30T22:55:32Z
dc.date.issued2019
dc.identifier.citationBedford, Elizabeth, Burns, Dylan, Conor, Erin, and Maryam Fakouri​. “Variation on a Theme:A Pilot to Collect Electronic Recordings of Degree-Culminating Student Recitals​.” USETDA 2019 Conference, Charleston, SC.en_US
dc.identifier.urihttp://hdl.handle.net/1773/44623
dc.description.abstractJust as dissertations are a requirement for most PhD programs, culminating recitals are a degree requirement for students in the University of Washington School of Music Doctor of Musical Arts (DMA) in Performance program. They represent significant contributions to UW’s creative and scholarly output, and the UW Music Library collected CD recordings of these recitals for many years. As recording practices have become increasingly digital, fewer students have deposited recital CDs with the Music Library, and valuable institutional history and scholarly output is being lost. UW made the transition from physical to electronic theses and dissertations in 2012. With this pilot, we begin that transition for recital recordings.en_US
dc.rightsAttribution-NonCommercial 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc/3.0/us/*
dc.titleVariation on a Theme: A Pilot to Collect Electronic Recordings of Degree-Culminating Student Recitalsen_US
dc.typePresentationen_US


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