Ames, Eric CHerschman, Rachel Elizabeth2019-02-222019-02-222018Herschman_washington_0250E_19423.pdfhttp://hdl.handle.net/1773/43395Thesis (Ph.D.)--University of Washington, 2018Kasper’s Theater: Avant-Garde and Propaganda Puppetry in Early Twentieth-Century Germany is a research-driven study of how and why artists turned to puppetry during the Weimar Republic and the Third Reich. Organized chronologically, the project examines the different ways a puppet could be both an icon of rebellious resistance and a vehicle for manipulation and control—and why it matters. Kasper, the tramp-like everyman trickster cousin of Punch, is a central character, but this study follows other puppets, too, and brings together a range of works by canonical, lesser-studied, and newly rediscovered artists. More than just a history of puppetry, Kasper’s Theater argues that puppets blur the line between life and art, and offers a new view of German cultural and political history.application/pdfen-USnoneGermanyKasperPuppetryThird ReichWeimar RepublicPerforming artsArt historyFilm studiesGermanThesis