Reed, BrianLin, Hsinmei2019-08-142019-08-142019Lin_washington_0250E_20343.pdfhttp://hdl.handle.net/1773/44206Thesis (Ph.D.)--University of Washington, 2019This dissertation employs relational reading to examine how and why 19th- and 20th- century U.S. and Sinophone poets invoked the human/animal divide through composition of imaginative space and deconstruction of a linguicentric conception of the world. I argue that Walt Whitman and Emily Dickinson, in particular, demonstrate a manner of engaging nonhuman subjects that corresponds to what Jacques Derrida terms zoopoetics and initiates alternative, multispecies world-building during their poetic composition. Further, I contend that when Whitman and Dickinson write to, as, and with animals, they write as world poet in this anti-anthropocentric alter-world. And when, in the mid-to late 20th-century, Sinophone poets write their own animal-focused poetries in response, their writing manifests this ongoing posthuman challenge to the categories structuring and dictating both global literary exchange and conventional literary study.application/pdfen-USCC BY-NC-NDanimal studiesliterary cartographyposthumanismworldingworld literaturezoopoeticsAmerican literatureTranslation studiesComparative literatureEnglishThesis