From the Mouths of Babes: Putti as Moralizers in Four Prints by Master H.L.

dc.contributor.advisorLingo, Stuarten_US
dc.contributor.authorErickson, Meganen_US
dc.date.accessioned2014-10-20T20:09:35Z
dc.date.available2015-12-14T17:55:57Z
dc.date.issued2014-10-20
dc.date.submitted2014en_US
dc.descriptionThesis (Master's)--University of Washington, 2014en_US
dc.description.abstractThe German Renaissance wood sculptor and engraver known as Master H.L. left behind only a small body of printed works from his career in the early sixteenth century. Among these prints four are tied together by their depiction of <italic>putti<italic>, and display his ability to work with previously established visual motifs while manipulating them idiosyncratically for his own purposes. Of these four, the first two decry the foolishness of misdirected affections, while the second pair share a surprising connection to the celebration of Carnival. With their unusual approach and multilayered symbolism, these prints serve as brilliant windows on to the era's religious views, humor, and artistic style.en_US
dc.embargo.termsRestrict to UW for 1 year -- then make Open Accessen_US
dc.format.mimetypeapplication/pdfen_US
dc.identifier.otherErickson_washington_0250O_12999.pdfen_US
dc.identifier.urihttp://hdl.handle.net/1773/26738
dc.language.isoen_USen_US
dc.rightsCopyright is held by the individual authors.en_US
dc.subjectcarnival; engraving; eros; master h.l.; puttien_US
dc.subject.otherArt historyen_US
dc.subject.otherfine artsen_US
dc.titleFrom the Mouths of Babes: Putti as Moralizers in Four Prints by Master H.L.en_US
dc.typeThesisen_US

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