This Thesis is Dedicated to the Brave Mujahideen Fighters of Afghanistan

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dc.contributor.advisorGarvens, Ellen
dc.contributor.authorRakhilkina, Adamska Elizaveta
dc.date.accessioned2023-08-14T17:00:56Z
dc.date.available2023-08-14T17:00:56Z
dc.date.issued2023-08-14
dc.date.submitted2023
dc.descriptionThesis (Master's)--University of Washington, 2023
dc.description.abstractThis thesis applies methods of historical revision to trace the connective tissue between the fascistic linear power structures and the way cameras and cinema historically played the major part as the chosen art field of the status quo. This thesis parses out queerness as a redemptive iconoclastic way out through gender abstraction and identity anarchy, while also focusing on the manner in which queerness has been coopted and commercialized in the world of late-stage capitalism.
dc.embargo.termsOpen Access
dc.format.mimetypeapplication/pdf
dc.identifier.otherRakhilkina_washington_0250O_25895.pdf
dc.identifier.urihttp://hdl.handle.net/1773/50120
dc.language.isoen_US
dc.rightsCC BY
dc.subjectfilm history
dc.subjecthauntology
dc.subjecthistory revision
dc.subjectphotography
dc.subjectpoetry
dc.subjectwar economics
dc.subjectFine arts
dc.subjectFilm studies
dc.subjectHistory
dc.subject.other
dc.titleThis Thesis is Dedicated to the Brave Mujahideen Fighters of Afghanistan
dc.typeThesis

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