From Classical Roots to Romantic Blossoms: The Evolution of Motivic Organicism in the Music of Frédéric Chopin

Abstract

This dissertation explores the origin and evolution of motivic development across theClassical period and its transformation within the Romantic genre with a particular focus on how Frédéric Chopin synthesizes these techniques to form his dual musical identity—one deeply rooted in Classical traditions while simultaneously reforming a distinct Romantic expression. By tracing the development of motivic techniques in the works of key Classical composers such as C.P.E. Bach, Haydn, Mozart, and Beethoven, and analyzing Chopin’s stylistic evolution in his works including Ballades, Barcarolle, and Piano Sonata in B Minor, Op. 58, this study examines how Chopin gradually enriched his musical language by incorporating Classical tradition with Romantic innovations, culminating in a musical style that is both structurally cohesive and aesthetically original.