A Lyrical Approach to Abjection

Abstract

This critical essay explores Julia Kristeva’s theory of abjection as it pertains to the porous boundaries “separating” the self—as subject and as deject—from sublimity and exploitative violence. Additionally, this essay investigates the utility of lyricism in conjunction with the abject. How can lyricism more acutely navigate the murky terrain of the abject? And what does the use of lyricism say about the subject’s engagement with abjection? Through personal reflection and analysis of Annihilation by Jeff Vandermeer, Mandíbula by Mónica Ojeda (translated from Spanish to English as Jawbone by Sarah Booker), Bunny by Mona Awad, and The Infernal Desire Machines of Doctor Hoffman by Angela Carter, this essay seeks to better understand the labyrinthian ambiguity of these questions.