For Agnes Martin
| dc.contributor.advisor | Hodge, Huck | en_US |
| dc.contributor.author | Vine, Anthony | en_US |
| dc.date.accessioned | 2014-02-24T18:32:38Z | |
| dc.date.available | 2014-02-24T18:32:38Z | |
| dc.date.issued | 2014-02-24 | |
| dc.date.submitted | 2013 | en_US |
| dc.description | Thesis (Master's)--University of Washington, 2013 | en_US |
| dc.description.abstract | For Agnes Martin is a musical work scored for flute/piccolo, alto/soprano saxophone, two percussionists, piano, violin, and cello. The impetus behind this composition was to examine the 10-hole diatonic harmonica in terms of its pitch construction and timbral properties, and use this information to generate most of the work's content. With this approach, two primary harmonic/timbral reservoirs were employed throughout the piece: [1] a melodic sequence that was constructed from overlaid fragments of the harmonica's pitch layout, and [2] orchestrated ring modulation, which emulates the prominent combination tones of the harmonica. Varying presentations and interactions between these two entities shape the form of the work. | en_US |
| dc.embargo.terms | No embargo | en_US |
| dc.format.mimetype | application/pdf | en_US |
| dc.identifier.other | Vine_washington_0250O_12487.pdf | en_US |
| dc.identifier.uri | http://hdl.handle.net/1773/25227 | |
| dc.language.iso | en_US | en_US |
| dc.rights | Copyright is held by the individual authors. | en_US |
| dc.subject | Experimental Music; Harmonicas; Music Composition; Septet | en_US |
| dc.subject.other | Music | en_US |
| dc.subject.other | music | en_US |
| dc.title | For Agnes Martin | en_US |
| dc.type | Thesis | en_US |
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