In the Noh

Abstract

This dissertation explores the adaptation of Noh opera plots within Western classical opera, focusing on ethical challenges related to cultural exoticism and representation. After a primer focusing on the history of Noh opera and its most relevant performing aspects, the research examines issues of cultural appropriation and yellowface portrayals through case studies of influential adaptations like Der Ja-Sager and Curlew River. Emphasizing authenticity, cultural sensitivity, and collaboration with cultural experts, the study advocates for responsible cultural adaptations that foster genuine cross-cultural exchange and inclusivity in operatic performances.