Symmetry, Thematic Transformation, and Quotation in George Crumb's Eine Kleine Mitternachtmusik

Abstract

This dissertation examines George Crumb’s use of symmetry and asymmetry, thematic transformation, and quotation in his 2001 solo piano work, Eine Kleine Mitternachtmusik. The paper reviews these compositional hallmarks as displayed in other works by Crumb, and offers an analysis of Mitternachtmusik, thereby revealing these elements in the piece.