Black Aliveness: Centering the Stories over the Teller in Contemporary Fiction

dc.contributor.advisorParis, Rachel
dc.contributor.authorBarton, Evan Paul
dc.date.accessioned2022-07-14T22:09:33Z
dc.date.issued2022-07-14
dc.date.submitted2022
dc.descriptionThesis (Master's)--University of Washington, 2022
dc.description.abstractThis essay encompasses the critical component of my thesis, a series of linked short stories about Black Millennial life during the Obama era. In preparation for writing and editing these stories, I read several story collections and discussed a few of them below, couching the literary analysis within a personal history of reading and listening to stories as a child. Every writer runs into challenges, so in considering what to focus on in these collections I looked at ways these writers approach challenges that I have come across in my own efforts to tell stories. The essay mentions several authors but focuses primarily on short fiction by ZZ Packer, Danielle Evans, and Jamel Brinkley. It considers the importance of Black storytelling in a nation where the most far reaching forms of media have often allowed for very limited depictions of Black life in its multiplicity.
dc.embargo.lift2024-07-03T22:09:33Z
dc.embargo.termsRestrict to UW for 2 years -- then make Open Access
dc.format.mimetypeapplication/pdf
dc.identifier.otherBarton_washington_0250O_24595.pdf
dc.identifier.urihttp://hdl.handle.net/1773/48947
dc.language.isoen_US
dc.rightsnone
dc.subject
dc.subjectCreative writing
dc.subjectEnglish literature
dc.subjectAfrican American studies
dc.subject.otherEnglish
dc.titleBlack Aliveness: Centering the Stories over the Teller in Contemporary Fiction
dc.typeThesis

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