New View of Musical Meaning in Beethoven Piano Sonata Op. 110

Abstract

The interpretation of classical music has primarily focused on structuralist analysis. Previous studies have mainly addressed aspects such as form, major and minor mode, and tonal harmony. However, when an analysis takes into account the composer’s intention and the expressive characteristics inherent in a work, a new perspective of interpretation can be obtained. This new perspective offers the interpreter a fresh musical experience. In this dissertation, we delve into the meaning of Beethoven's late sonata Op.110, exploring the characteristic melody gestures and rhythm. Additionally, we consider the expressive genre and markedness presented by Hatten, which provides a new perspective on the musical meaning conveyed by Op. 110.