The Feminology of Spirit

dc.contributor.advisorBorsuk, Amaranthen_US
dc.contributor.authorFeatherly, Lynarra Joanen_US
dc.date.accessioned2015-09-29T17:54:20Z
dc.date.available2015-09-29T17:54:20Z
dc.date.issued2015-09-29
dc.date.submitted2015en_US
dc.descriptionThesis (Master's)--University of Washington, 2015en_US
dc.description.abstractThe work of the Feminology, in both process and product, is work born out of sifting through, listening and selecting-out from Hegel’s language in the preface to his Phenomenology of Spirit. The Feminology, then, is poetry produced under the constraints of erasure, but is not a process that is taken up to either claim or reject Hegel or his text, but to ‘mingle’ and ‘linger.’ The writing process undertaken in producing the Feminology is a process of writing-with, of taking the language of the source-text into a field of combinatorial play and not a battlefield. If battle is one possible aim for erasure, the Feminology works toward another. At the least, in the Feminology, there is no struggle for primacy, not in authorship and not in political positioning.en_US
dc.embargo.termsOpen Accessen_US
dc.format.mimetypeapplication/pdfen_US
dc.identifier.otherFeatherly_washington_0250O_14591.pdfen_US
dc.identifier.urihttp://hdl.handle.net/1773/33470
dc.language.isoen_USen_US
dc.rightsCopyright is held by the individual authors.en_US
dc.subjectconceptual; experimental; feminist; philosophy; poetics; poetryen_US
dc.subject.otherFine artsen_US
dc.subject.otherLiteratureen_US
dc.subject.otherinterdisciplinary arts and sciences - bothellen_US
dc.titleThe Feminology of Spiriten_US
dc.typeThesisen_US

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