We Are All In This To Get Here

dc.contributor.advisorGarvens, Ellenen_US
dc.contributor.authorPatterson, Hannah McGheeen_US
dc.date.accessioned2014-10-20T22:21:58Z
dc.date.available2014-10-20T22:21:58Z
dc.date.issued2014-10-20
dc.date.submitted2014en_US
dc.descriptionThesis (Master's)--University of Washington, 2014en_US
dc.description.abstractI was raised practicing Hinduism from birth in the unlikely environment of the Bible Belt of the South East. Eventually my art practice became an important means of metabolizing this experience. I employ the use of materials, practices, palette and imagery representative of my relationship with the Hindu practices. In this body of work, I acknowledge an awareness of the appropriative nature of the American Neo-Hindu movement. This expression of complicated identity manifests itself with a twinge of bittersweet humor in my work. Moving imagery presented as time-based video work combined with shorter repeating gestures in .GIF format act to establish a platform of visual vocabulary as a means of exploring the dualities of identity and projection.en_US
dc.embargo.termsOpen Accessen_US
dc.format.mimetypeapplication/pdfen_US
dc.identifier.otherPatterson_washington_0250O_13366.pdfen_US
dc.identifier.urihttp://hdl.handle.net/1773/26881
dc.language.isoen_USen_US
dc.rightsCopyright is held by the individual authors.en_US
dc.subjectBeyoncé; Film; Performance; Photography; Pop Culture; Videoen_US
dc.subject.otherArt criticismen_US
dc.subject.otherFilm studiesen_US
dc.subject.otherFine artsen_US
dc.subject.otherfine artsen_US
dc.titleWe Are All In This To Get Hereen_US
dc.typeThesisen_US

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