We Are All In This To Get Here
| dc.contributor.advisor | Garvens, Ellen | en_US |
| dc.contributor.author | Patterson, Hannah McGhee | en_US |
| dc.date.accessioned | 2014-10-20T22:21:58Z | |
| dc.date.available | 2014-10-20T22:21:58Z | |
| dc.date.issued | 2014-10-20 | |
| dc.date.submitted | 2014 | en_US |
| dc.description | Thesis (Master's)--University of Washington, 2014 | en_US |
| dc.description.abstract | I was raised practicing Hinduism from birth in the unlikely environment of the Bible Belt of the South East. Eventually my art practice became an important means of metabolizing this experience. I employ the use of materials, practices, palette and imagery representative of my relationship with the Hindu practices. In this body of work, I acknowledge an awareness of the appropriative nature of the American Neo-Hindu movement. This expression of complicated identity manifests itself with a twinge of bittersweet humor in my work. Moving imagery presented as time-based video work combined with shorter repeating gestures in .GIF format act to establish a platform of visual vocabulary as a means of exploring the dualities of identity and projection. | en_US |
| dc.embargo.terms | Open Access | en_US |
| dc.format.mimetype | application/pdf | en_US |
| dc.identifier.other | Patterson_washington_0250O_13366.pdf | en_US |
| dc.identifier.uri | http://hdl.handle.net/1773/26881 | |
| dc.language.iso | en_US | en_US |
| dc.rights | Copyright is held by the individual authors. | en_US |
| dc.subject | Beyoncé; Film; Performance; Photography; Pop Culture; Video | en_US |
| dc.subject.other | Art criticism | en_US |
| dc.subject.other | Film studies | en_US |
| dc.subject.other | Fine arts | en_US |
| dc.subject.other | fine arts | en_US |
| dc.title | We Are All In This To Get Here | en_US |
| dc.type | Thesis | en_US |
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