A Comparative Study of Four American Professional Wind Bands

dc.contributor.advisorSalzman, Timothy
dc.contributor.authorTse, Mark
dc.date.accessioned2020-08-14T03:33:24Z
dc.date.available2020-08-14T03:33:24Z
dc.date.issued2020-08-14
dc.date.submitted2020
dc.descriptionThesis (D.M.A.)--University of Washington, 2020
dc.description.abstractThis study compares the repertoire, business models, and philosophies of four American professional wind bands; Dallas Winds, Lone Star Wind Orchestra, San Diego Winds, and the Royal Hawaiian Band. For the purposes of this study, “professional” is defined as generating sufficient income to pay the performers. The Royal Hawaiian Band is an outlier of professional wind bands because of its history and function. The other three bands perform two to nine concerts per season like the first American orchestras. For these young professional bands to achieve comparable success as current professional orchestras, they should make similar revolutionary leaps (not evolutionary steps) that early American orchestras made to guarantee their performers a full season of concerts, enough to provide a livable income.
dc.embargo.termsOpen Access
dc.format.mimetypeapplication/pdf
dc.identifier.otherTse_washington_0250E_21842.pdf
dc.identifier.urihttp://hdl.handle.net/1773/46133
dc.language.isoen_US
dc.rightsCC BY
dc.subjectband
dc.subjectearly orchestras
dc.subjectprofessional band
dc.subjectTheodore Thomas
dc.subjectwind ensemble
dc.subjectMusic
dc.subjectMusic history
dc.subject.otherMusic
dc.titleA Comparative Study of Four American Professional Wind Bands
dc.typeThesis

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