The concept of gesture in the novels of Robert Penn Warren

dc.contributor.advisorHall, James
dc.contributor.authorJustus, James Huff
dc.date.accessioned2019-09-30T17:49:24Z
dc.date.available2019-09-30T17:49:24Z
dc.date.issued1961
dc.descriptionThesis (Ph.D.)--University of Washington, 1961
dc.description.abstractIn World Enough and Time. Robert Penn Warren's narrator sets the scene in which his protagonist acts out his drama: "It was a violent and lonely land ... Jeremiah Beaumont's land was the Kentucky of 1825, and his drama more than adequately embodies both the violence and the loneliness. What is important, however, is that World Enough and Time is a particular twentieth-century image of the Kentucky of the 1820's, which is another way of saying that it reveals more about the artist's vision and technique than it does about geography and history. It postulates a fictional world, but that very world is an image of its creator's world view, where violence and loneliness become significant elements in his vision of external reality in any time and place. These elements are among the things with which Jack Burden of All the King's Men must come to terms in his "State" of the 1930's and this vision of violence and loneliness is shared by any number of the characters of The Cave in Johntown, Tennessee, in the 1950's.
dc.embargo.termsManuscript available on the University of Washington Campuses and via UW NetID. Full text may be available via Proquest's Dissertations and Theses Full Text database or through your local library's interlibrary loan service.
dc.format.extent191 leaves
dc.identifier.other19829466
dc.identifier.urihttp://hdl.handle.net/1773/44602
dc.language.isoeng
dc.rightshttp://rightsstatements.org/vocab/InC/1.0/
dc.subjectGesture
dc.subject.otherThesis--English
dc.titleThe concept of gesture in the novels of Robert Penn Warren
dc.typeThesis

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