A “Misleading” Opus Number: Rachmaninoff’s Piano Concerto No. 1 in F-sharp minor, Op. 1

dc.contributor.advisor	McCabe, Robin
dc.contributor.author	Wong, Hio Teng
dc.date.accessioned	2023-08-14T17:06:51Z
dc.date.available	2023-08-14T17:06:51Z
dc.date.issued	2023-08-14
dc.date.submitted	2023
dc.description	Thesis (D.M.A.)--University of Washington, 2023
dc.description.abstract	This study evolves as an analysis of the two versions of Rachmaninoff’s Piano Concerto No. 1, focusing on aspects such as theme, harmony, structure, rhythm, and texture, based on the two-piano scores. Composed twenty-six years apart, this concerto underwent some of the most extensive revisions among all of his revised works. By examining the composer’s different choices in the two versions of the concerto, this study aims to shed light on the evolution of Rachmaninoff’s musical style as well as provide a deeper understanding of the final version of the work.
dc.embargo.terms	Open Access
dc.format.mimetype	application/pdf
dc.identifier.other	Wong_washington_0250E_25733.pdf
dc.identifier.uri	http://hdl.handle.net/1773/50512
dc.language.iso	en_US
dc.rights	none
dc.subject	Op. 1
dc.subject	Piano Concerto No. 1
dc.subject	Rachmaninoff
dc.subject	Performing arts
dc.subject.other	Music
dc.title	A “Misleading” Opus Number: Rachmaninoff’s Piano Concerto No. 1 in F-sharp minor, Op. 1
dc.type	Thesis

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