Studio 9

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dc.contributor.advisorDunn, Steven
dc.contributor.authorGaines, Madison
dc.date.accessioned2023-08-14T17:00:53Z
dc.date.issued2023-08-14
dc.date.submitted2023
dc.descriptionThesis (Master's)--University of Washington, 2023
dc.description.abstractBlackness is not a performance, and yet a performance has been demanded. In Studio 9, Hazey has been corrupted by faux intimacy and the burden of observation as the talk show host of a national TV show. The various performances on and off the stage have severed her from the Black community and left her susceptible to manipulation. The challenge becomes confronting the horrific truths of her actions, and the result—of community, of companionship, of true vulnerability—can be the alteration of values once believed to be unwavering.
dc.embargo.lift2028-07-18T17:00:53Z
dc.embargo.termsRestrict to UW for 5 years -- then make Open Access
dc.format.mimetypeapplication/pdf
dc.identifier.otherGaines_washington_0250O_25917.pdf
dc.identifier.urihttp://hdl.handle.net/1773/50113
dc.language.isoen_US
dc.rightsnone
dc.subjectAfrican American
dc.subjectAfrican American literature
dc.subjectBlack literature
dc.subjectcreative writing
dc.subjectfiction
dc.subjectCreative writing
dc.subject.other
dc.titleStudio 9
dc.typeThesis

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Interdisciplinary arts and sciences - Bothell
MFA in Creative Writing and Poetics