Connections Across Oceans: Debussy, Impressionism, and "The Floating World (Ukiyo-e)" of Japanese Art

dc.contributor.advisorMcCabe, Robinen_US
dc.contributor.authorMaki, Tomokoen_US
dc.date.accessioned2014-10-13T20:07:03Z
dc.date.available2014-10-13T20:07:03Z
dc.date.issued2014-10-13
dc.date.submitted2014en_US
dc.descriptionThesis (D.M.A.)--University of Washington, 2014en_US
dc.description.abstractDebussy lived in Paris in the late nineteenth century and Paris at that time was very much a "happening" place; The Paris Exposition, Japonisme, and Impressionism were all blossoming. Japonisme was the most influencial art movement and it exerted a huge influence on many artists, Debussy being one of them. He collected, appreciated and was fascinated by Japanese wood prints and other artworks such as Netsuke. As an artist, Debussy received great inspiration from Japanese art for his composition. This paper focuses on the Japanese art world which Debussy loved and how Japanese art influenced his creativity as a musician and composer.en_US
dc.embargo.termsOpen Accessen_US
dc.format.mimetypeapplication/pdfen_US
dc.identifier.otherMaki_washington_0250E_13083.pdfen_US
dc.identifier.urihttp://hdl.handle.net/1773/26544
dc.language.isoen_USen_US
dc.rightsCopyright is held by the individual authors.en_US
dc.subject.otherMusicen_US
dc.subject.otherArt historyen_US
dc.subject.othermusicen_US
dc.titleConnections Across Oceans: Debussy, Impressionism, and "The Floating World (Ukiyo-e)" of Japanese Arten_US
dc.typeThesisen_US

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