Daring to be Dramatic: An Examination of the Live Interpretation of Slavery at Living History Museums

dc.contributor.advisorVisscher, Nicken_US
dc.contributor.authorYeaman, Tessaen_US
dc.date.accessioned2015-09-29T17:52:17Z
dc.date.available2015-09-29T17:52:17Z
dc.date.issued2015-09-29
dc.date.submitted2015en_US
dc.descriptionThesis (Master's)--University of Washington, 2015en_US
dc.description.abstractThis research identifies how two living history museums, at two different points in time, developed programming that specifically aligns with their property’s historic role in the American slave trade. In order to achieve a greater understanding of how these museums continue to craft these programs, this research examined how interpretive teams designed these experiences, the subsequent principles and practices that guided their development, and their suggested recommendations for future endeavors. Findings indicate several themes that may be particularly useful to institutions who aim to depict the reality of slavery through theatre and live interpretation including; achieving authenticity through research, considering how oppressive imagery may affect youth audiences, ensuring institutional support, providing options for discontinuing visitor participation, establishing the role of the audience in participating in the program, developing community support, and allowing for visitors to debrief with one another following their experience.en_US
dc.embargo.termsOpen Accessen_US
dc.format.mimetypeapplication/pdfen_US
dc.identifier.otherYeaman_washington_0250O_14752.pdfen_US
dc.identifier.urihttp://hdl.handle.net/1773/33418
dc.language.isoen_USen_US
dc.rightsCopyright is held by the individual authors.en_US
dc.subjectLive Interpretation; Living History; Museum Theatre; Slaveryen_US
dc.subject.otherMuseum studiesen_US
dc.subject.othermuseologyen_US
dc.titleDaring to be Dramatic: An Examination of the Live Interpretation of Slavery at Living History Museumsen_US
dc.typeThesisen_US

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