Bach and Schumann as Keyboard Pedagogues: A Comparative and Critical Overview of the "Notebook of Anna Magdalena," and the "Album for the Young."

dc.contributor.advisorSheppard, Craigen_US
dc.contributor.authorJoh, Esther M.en_US
dc.date.accessioned2014-02-24T18:32:41Z
dc.date.available2014-02-24T18:32:41Z
dc.date.issued2014-02-24
dc.date.submitted2013en_US
dc.descriptionThesis (D.M.A.)--University of Washington, 2013en_US
dc.description.abstractThis dissertation compares and critically evaluates the keyboard pedagogies and teaching philosophies of J.S. Bach and Robert Schumann as expressed in their important collections intended for young, beginning students — <italic>Notebook for Anna Magdalena</italic> and <italic>Album for the Young, Op. 68</italic>, respectively. The terms <italic>Method</italic> or <italic>Method Book</italic> will be used throughout in their 18th and 19th centuries' context.en_US
dc.embargo.termsNo embargoen_US
dc.format.mimetypeapplication/pdfen_US
dc.identifier.otherJoh_washington_0250E_12613.pdfen_US
dc.identifier.urihttp://hdl.handle.net/1773/25229
dc.language.isoen_USen_US
dc.rightsCopyright is held by the individual authors.en_US
dc.subject.otherMusicen_US
dc.subject.othermusicen_US
dc.titleBach and Schumann as Keyboard Pedagogues: A Comparative and Critical Overview of the "Notebook of Anna Magdalena," and the "Album for the Young."en_US
dc.typeThesisen_US

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