A Comparative Analysis of Debussy’s Ondine and Ravel’s Ondine

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dc.contributor.advisorMcCabe, Robin L.
dc.contributor.authorQiao, Hexin
dc.date.accessioned2021-08-26T18:13:43Z
dc.date.available2021-08-26T18:13:43Z
dc.date.issued2021-08-26
dc.date.submitted2021
dc.descriptionThesis (D.M.A.)--University of Washington, 2021
dc.description.abstractIn his formative years, Claude Debussy (1862-1918) experienced the influence of the artistic movement of Impressionism and the literary movement of Symbolism. Both of these movements profoundly influenced Debussy and contributed to the formation of his aesthetics and tastes. Maurice Ravel (1875-1937), under the influence of Debussy, established his style by incorporating classic rules along with his own innovations inspired by Impressionist and Symbolist values. The purpose of this paper is to illustrate the differences in style between the two composers through a comparative analysis of Debussy’s Prelude Ondine and Ravel’s Ondine from Gaspard de la nuit.
dc.embargo.termsOpen Access
dc.format.mimetypeapplication/pdf
dc.identifier.otherQiao_washington_0250E_23046.pdf
dc.identifier.urihttp://hdl.handle.net/1773/47655
dc.language.isoen_US
dc.rightsnone
dc.subjectAnalysis
dc.subjectDebussy
dc.subjectMusic
dc.subjectOndine
dc.subjectPiano
dc.subjectRavel
dc.subjectMusic
dc.subjectMusic
dc.subject.otherMusic
dc.titleA Comparative Analysis of Debussy’s Ondine and Ravel’s Ondine
dc.typeThesis

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