Black Time: (Re)Mapping and Memory

dc.contributor.advisorParis, Rae
dc.contributor.authorRussell, Phillip
dc.date.accessioned2020-08-14T03:29:45Z
dc.date.available2020-08-14T03:29:45Z
dc.date.issued2020-08-14
dc.date.submitted2020
dc.descriptionThesis (Master's)--University of Washington, 2020
dc.description.abstractHistory is a composition of events comprised of memories as a way to make decipherable the past; however, dominant (white) notions of time seek to make history (which exists in and out of time) linear. Many black creators push against this notion. Memoir is a genre that allows us to uncover new truths about ourselves, the past, the world, and more through the organization and examination of memories and archives. Black writers, artists, and thinkers such as Christina Sharpe, Dionne Brand, and Titus Kaphar, among others, have created work that consciously engages with existing archives, as well as creating new ones. Their works (re)think, (re)image, and (re)map our histories in ways that acknowledge the aftermath of slavery while offering new stories, insights, and resolutions that seek to move toward Black liberation.
dc.embargo.termsOpen Access
dc.format.mimetypeapplication/pdf
dc.identifier.otherRussell_washington_0250O_21488.pdf
dc.identifier.urihttp://hdl.handle.net/1773/45978
dc.language.isoen_US
dc.rightsnone
dc.subjectArchive
dc.subjectBlackness
dc.subjectIdentity
dc.subjectImagination
dc.subjectLiberation
dc.subjectCreative writing
dc.subject.otherEnglish
dc.titleBlack Time: (Re)Mapping and Memory
dc.typeThesis

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