Enantiodromia

dc.contributor.advisorJeck, Douglas A
dc.contributor.authorMlasowsky, Anna
dc.date.accessioned2016-07-14T16:41:31Z
dc.date.available2016-07-14T16:41:31Z
dc.date.issued2016-07-14
dc.date.submitted2016-06
dc.descriptionThesis (Master's)--University of Washington, 2016-06
dc.description.abstractMultiplicity and the bridging of opposing realities is a central theme in my work. This multiplicity speaks to a physical disconnection between places as well as to a mental state of disassociation. Through process I enable likewise contradiction and unification. I use materials to reconcile the opposite ends of a spectrum of transformation. Documentation allows me to extract and distill the essence of an action performed in my studio. I use the body in the same way I use materials. I watch its influence on a space, situation and condition and force it to enter interim stages somewhere between pleasure and pain. The resulting pieces capture a metaphysical quest into metamorphic zones that show our interconnectivity to all reality, visible and invisible
dc.embargo.termsOpen Access
dc.format.mimetypeapplication/pdf
dc.identifier.otherMlasowsky_washington_0250O_16162.pdf
dc.identifier.urihttp://hdl.handle.net/1773/36688
dc.language.isoen_US
dc.relation.haspartA.MlasowskyMFA2016ThesisImages.pdf; pdf; .
dc.subject
dc.subject.otherArt criticism
dc.subject.otherArt education
dc.subject.otherAsian history
dc.subject.otherfine arts
dc.titleEnantiodromia
dc.typeThesis

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