Enantiodromia
| dc.contributor.advisor | Jeck, Douglas A | |
| dc.contributor.author | Mlasowsky, Anna | |
| dc.date.accessioned | 2016-07-14T16:41:31Z | |
| dc.date.available | 2016-07-14T16:41:31Z | |
| dc.date.issued | 2016-07-14 | |
| dc.date.submitted | 2016-06 | |
| dc.description | Thesis (Master's)--University of Washington, 2016-06 | |
| dc.description.abstract | Multiplicity and the bridging of opposing realities is a central theme in my work. This multiplicity speaks to a physical disconnection between places as well as to a mental state of disassociation. Through process I enable likewise contradiction and unification. I use materials to reconcile the opposite ends of a spectrum of transformation. Documentation allows me to extract and distill the essence of an action performed in my studio. I use the body in the same way I use materials. I watch its influence on a space, situation and condition and force it to enter interim stages somewhere between pleasure and pain. The resulting pieces capture a metaphysical quest into metamorphic zones that show our interconnectivity to all reality, visible and invisible | |
| dc.embargo.terms | Open Access | |
| dc.format.mimetype | application/pdf | |
| dc.identifier.other | Mlasowsky_washington_0250O_16162.pdf | |
| dc.identifier.uri | http://hdl.handle.net/1773/36688 | |
| dc.language.iso | en_US | |
| dc.relation.haspart | A.MlasowskyMFA2016ThesisImages.pdf; pdf; . | |
| dc.subject | ||
| dc.subject.other | Art criticism | |
| dc.subject.other | Art education | |
| dc.subject.other | Asian history | |
| dc.subject.other | fine arts | |
| dc.title | Enantiodromia | |
| dc.type | Thesis |
