Modifying the Mask: the Transformation of the Dramatic Monologue Across the Works of Robert Browning, Norman Dubie, and Frank Bidart

dc.contributor.advisorFeld, Andrew E
dc.contributor.authorGulotta, Kristin L.
dc.date.accessioned2016-07-14T16:40:35Z
dc.date.issued2016-07-14
dc.date.submitted2016-06
dc.descriptionThesis (Master's)--University of Washington, 2016-06
dc.description.abstractA look at how the dramatic monologue as a poetic form has transformed since the 19th century by examining representative works from poets Robert Browning, Norman Dubie, and Frank Bidart.
dc.embargo.lift2021-06-18T16:40:35Z
dc.embargo.termsRestrict to UW for 5 years -- then make Open Access
dc.format.mimetypeapplication/pdf
dc.identifier.otherGulotta_washington_0250O_15886.pdf
dc.identifier.urihttp://hdl.handle.net/1773/36621
dc.language.isoen_US
dc.subjectdramatic monologue
dc.subjectFrank Bidart
dc.subjectmask
dc.subjectNorman Dubie
dc.subjectpoetry
dc.subjectRobert Browning
dc.subject.otherCreative writing
dc.subject.otherenglish
dc.titleModifying the Mask: the Transformation of the Dramatic Monologue Across the Works of Robert Browning, Norman Dubie, and Frank Bidart
dc.typeThesis

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