The function of music and song in Elizabethan drama through Shakespeare
| dc.contributor.advisor | Taylor, Edw. Ayers | |
| dc.contributor.author | Hansen, Agnes Camilla | |
| dc.date.accessioned | 2019-09-30T17:49:09Z | |
| dc.date.available | 2019-09-30T17:49:09Z | |
| dc.date.issued | 1930 | |
| dc.description | Thesis (M.A.)--University of Washington, 1930 | |
| dc.description.abstract | The Elizabethan age has been called "The Golden Age of English Music" and the England of that day "a nest of singing birds". We read that everybody sang - the tavern chanters their "catches" and the cultured their "ayres" and madrigals; that every barber-shop had its lute for customers to strum while waiting their turnj that every household had its virginal, and that every bourgeois was capable of extemporizing discant to a melody, or at least of fiddling a base. | |
| dc.embargo.terms | Manuscript available on the University of Washington Campuses and via UW NetID. Full text may be available via Proquest's Dissertations and Theses Full Text database or through your local library's interlibrary loan service. | |
| dc.format.extent | 53 leaves | |
| dc.identifier.other | 19976258 | |
| dc.identifier.uri | http://hdl.handle.net/1773/44600 | |
| dc.language.iso | eng | |
| dc.rights | http://rightsstatements.org/vocab/InC/1.0/ | |
| dc.subject | Drama--History and criticism || Drama | |
| dc.subject.other | Thesis--English | |
| dc.title | The function of music and song in Elizabethan drama through Shakespeare | |
| dc.type | Thesis |