An analysis of painting in the light of aesthetic theory

dc.contributor.advisorIsaacs, Walter
dc.contributor.authorTaylor, Kyle Eldon
dc.date.accessioned2019-09-30T18:11:54Z
dc.date.available2019-09-30T18:11:54Z
dc.date.issued1931
dc.descriptionThesis (M.F.A.)--University of Washington, 1931
dc.description.abstractDifferent philosophers have deduced different aesthetic theories by starting with different philosophical as- sumptions. So disagreement with a man1s conclusions may frequently be traced back to disagreement with his first premises. Failure to state these explicitly in the beginning is apt to create misunderstanding on the part of the reader. I am therefore, in order to make my discussion as clear as possible, beginning with a consideration of the nature of reality and the nature of value, since these questions lie at the root of all aesthetic theory.
dc.embargo.termsManuscript available on the University of Washington Campuses and via UW NetID. Full text may be available via Proquest's Dissertations and Theses Full Text database or through your local library's interlibrary loan service.
dc.format.extent63 leaves
dc.identifier.other19931573
dc.identifier.urihttp://hdl.handle.net/1773/44621
dc.language.isoeng
dc.rightshttp://rightsstatements.org/vocab/InC/1.0/
dc.subjectAesthetics || Painting
dc.subject.otherThesis--Fine arts
dc.titleAn analysis of painting in the light of aesthetic theory
dc.typeThesis

Files

Collections