afterarise (for soprano saxophone, piano, and amplified resonance)

dc.contributor.advisorHodge, Huck
dc.contributor.authorZeitlinger, Justin
dc.date.accessioned2025-08-01T22:28:38Z
dc.date.available2025-08-01T22:28:38Z
dc.date.issued2025-08-01
dc.date.submitted2025
dc.descriptionThesis (Master's)--University of Washington, 2025
dc.description.abstractafterarise (written for saxophonist Antonio Jarvey) explores birdsong as a conduit for sonic and ecological reflection. Fragmented field recordings of blackbirds—with various time-stretching and spectral techniques applied—serve as the work’s primary “source”; not as mimetic material, but as a lens for creative transcription and recomposition, revealing micro-structural layers otherwise imperceptible. Extended moments of stillness situate the sparse musical statements in a shadow of sympathetic resonance, drawing connections to the harmonic world of the Beatles’ “Blackbird” (a favorite song of both myself and the dedicatee). Inspired by Pablo Picasso’s line drawings of birds, afterarise ultimately attempts to capture the essence of a natural phenomenon through a multiplicity of perspectives.
dc.embargo.termsOpen Access
dc.format.mimetypeapplication/pdf
dc.identifier.otherZeitlinger_washington_0250O_28386.pdf
dc.identifier.urihttps://hdl.handle.net/1773/53717
dc.language.isoen_US
dc.rightsnone
dc.subjectbirdsong
dc.subjectelectronics
dc.subjectpiano
dc.subjectsaxophone
dc.subjectMusical composition
dc.subjectMusic
dc.subjectPerforming arts
dc.subject.otherMusic
dc.titleafterarise (for soprano saxophone, piano, and amplified resonance)
dc.typeThesis

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