Exploring the Intersection of Race, Adoption, and Evangelical Culture Through a Studio Practice

dc.contributor.advisor	Jamison, Flint
dc.contributor.author	Quickbear-Stalder, Ryland Cameran
dc.date.accessioned	2023-08-14T17:01:11Z
dc.date.available	2023-08-14T17:01:11Z
dc.date.issued	2023-08-14
dc.date.submitted	2023
dc.description	Thesis (Master's)--University of Washington, 2023
dc.description.abstract	Media and media consumption is based on perception. Perception comes with biases that exist from upbringing, personal belief systems, and many other things. Exploring the intersections of those ideas is even more exciting. This document serves as an examination of religious upbringing, racial identity, and perceptions of the art world. Those topics create the work within my studio. My interest and my work exist within those intersections. This document will also be entered into the archive of an institution, J. Jack Halberstam dedicated their book Queer History, “To All of History’s Losers.” Archives do not record stories like mine, but this time it will.
dc.embargo.terms	Open Access
dc.format.mimetype	application/pdf
dc.identifier.other	QuickbearStalder_washington_0250O_25918.pdf
dc.identifier.uri	http://hdl.handle.net/1773/50176
dc.language.iso	en_US
dc.rights	none
dc.subject	Duggar
dc.subject	Jesus
dc.subject	Land Art
dc.subject	Peter Pan
dc.subject	Fine arts
dc.subject.other
dc.title	Exploring the Intersection of Race, Adoption, and Evangelical Culture Through a Studio Practice
dc.type	Thesis

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