Between Authority and Pretense

dc.contributor.advisorGarvens, Ellen
dc.contributor.authorHalpine, Clare
dc.date.accessioned2017-08-11T22:55:26Z
dc.date.available2017-08-11T22:55:26Z
dc.date.issued2017-08-11
dc.date.submitted2017-06
dc.descriptionThesis (Master's)--University of Washington, 2017-06
dc.description.abstractHumor calls into question collectively held truths, whether real or imagined, emergent or engrained. Through costume and studied speech, the performance artist as pundit makes permissible a self to which we may otherwise be afraid of confessing. The lens of the camera acknowledges that, “…visualities are the great legitimizers ”. In layering, the projected image stands in as a post-modernist canvas mediating between performer and audience, spectator and spectacle, transmitting and transmuting signal. Through the presence of the screen, the audience is given visual reminder of the distance between self and other, encoded in space and time.
dc.embargo.termsOpen Access
dc.format.mimetypeapplication/pdf
dc.identifier.otherHalpine_washington_0250O_17380.pdf
dc.identifier.urihttp://hdl.handle.net/1773/40140
dc.language.isoen_US
dc.rightsCC BY-NC-ND
dc.subjectArt
dc.subjectFeminism
dc.subjectHumor
dc.subjectPerformance
dc.subjectPower
dc.subjectPretense
dc.subjectFine arts
dc.subjectArt criticism
dc.subjectWomen's studies
dc.subject.otherFine arts
dc.titleBetween Authority and Pretense
dc.typeThesis

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