A Visit to the Sky-mother Mountain

dc.contributor.advisorDurand, Joël-François
dc.contributor.advisorKolat, Yiğit
dc.contributor.authorYin, Lu
dc.date.accessioned2020-08-14T03:33:23Z
dc.date.issued2020-08-14
dc.date.submitted2020
dc.descriptionThesis (Master's)--University of Washington, 2020
dc.description.abstractUniversity of Washington Abstract A Visit to the Sky-mother Mountain Lu Yin Chair of the Supervisory Committee: Joël-François Durand School of Music “Would you have me bow my head before mighty prices, forgetting all the joy of my heart?” Not long after Li Bai (Chinese: 李白, pinyin: Lǐbái, 701–762) left the imperial court, he wrote so at the end of one of his masterpiece, A Visit to the Sky-mother Mountain in a Dream. As he acknowledged his fate and true passion at this point, the experience in the mountain in the dream would continue into his reality. This piece, scored for seven instrumentalists, is after Li Bai’s experience before, in and after the dream, and the composer’s own imagination of Li Bai’s inner world.
dc.embargo.lift2021-08-14T03:33:23Z
dc.embargo.termsRestrict to UW for 1 year -- then make Open Access
dc.format.mimetypeapplication/pdf
dc.identifier.otherYin_washington_0250O_21650.pdf
dc.identifier.urihttp://hdl.handle.net/1773/46131
dc.language.isoen_US
dc.rightsCC BY
dc.subjectEnsemble
dc.subjectOriental
dc.subjectPoem
dc.subjectMusical composition
dc.subject.otherMusic
dc.titleA Visit to the Sky-mother Mountain
dc.typeThesis

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