The Body as Text: Trauma, Pleasure, and The Erotics of Queer Excess

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dc.contributor.advisorCrouse, Nikki
dc.contributor.advisorSonenberg, Maya
dc.contributor.authorWalker, Rachael Marie
dc.date.accessioned2024-09-09T23:02:03Z
dc.date.available2024-09-09T23:02:03Z
dc.date.issued2024-09-09
dc.date.submitted2024
dc.descriptionThesis (Master's)--University of Washington, 2024
dc.description.abstractCritical paper engaging with texts about sexual violence and writing about queer sexuality and excess as a way out and through writing about trauma. This paper discusses texts including Chelsea Girls by Eileen Myles, The Chronology of Water by Lidia Yuknavitch, Valencia by Michelle Tea, and other seminal works of queer and lesbian litearture. This paper discusses trauma theory through frameworks of embodied trauma as discussed in The Body Keeps the Score, The Need for A New Trauma Theory, and other works.
dc.embargo.termsOpen Access
dc.format.mimetypeapplication/pdf
dc.identifier.otherWalker_washington_0250O_26949.pdf
dc.identifier.urihttps://hdl.handle.net/1773/51747
dc.language.isoen_US
dc.rightsCC BY-NC-ND
dc.subjectCreative writing
dc.subject.otherTo Be Assigned
dc.titleThe Body as Text: Trauma, Pleasure, and The Erotics of Queer Excess
dc.typeThesis

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