Two chamber operas

dc.contributor.authorAsplund, Christian Ten_US
dc.date.accessioned2009-12-03T00:14:27Z
dc.date.available2009-12-03T00:14:27Z
dc.date.issued1998en_US
dc.descriptionThesis (D. Mus. Arts)--University of Washington, 1998en_US
dc.description.abstractA Girl's Body at Crepuscule and The Open Curtain are chamber operas composed for the first two productions of Seattle Experimental Opera in 1994. A Girl's Body is scored for soprano, mezzo-soprano, and flute and is a setting of a libretto by poet Lara Candland. The opera is texture-driven rather than plot-driven, although a somewhat non-linear plot does exist. Set in the early 1960s, the plot includes the early evening musings of an unnamed woman in front of a bedroom window, her methodical application of makeup, and her visit to her authoritarian female psychiatrist. The Open Curtain is a setting of a text written by Brian Evenson. It is in the form of a dramatic meditation on the martyrdom of Joseph Smith. It is scored for male voices, viola, harmonium, piano, string bass and percussion. The use of structured improvisation is explored on several levels in each number and the instrumental parts themselves are highly theatrical. Both pieces challenge traditional definitions of the opera genre.en_US
dc.format.extent1 score (ii, 174 p.)en_US
dc.identifier.otherb42997471en_US
dc.identifier.other42354103en_US
dc.identifier.otherThesis 47714en_US
dc.identifier.urihttp://hdl.handle.net/1773/15513
dc.language.isoen_USen_US
dc.rightsCopyright is held by the individual authors.en_US
dc.rights.urien_US
dc.subject.otherTheses--Musicen_US
dc.titleTwo chamber operasen_US
dc.typeThesisen_US

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