The Fabulous Party Boys and Adapting the Tuba for Modern Popular Contexts

dc.contributor.advisorGordon, Daviden_US
dc.contributor.authorHansen, Jonen_US
dc.date.accessioned2015-05-11T20:59:48Z
dc.date.available2015-05-11T20:59:48Z
dc.date.issued2015-05-11
dc.date.submitted2015en_US
dc.descriptionThesis (D.M.A.)--University of Washington, 2015en_US
dc.description.abstractTubas are instruments that are used primarily in classical (a term used broadly in this instance) settings. While wind bands, orchestras, marching bands, and brass ensembles have consistently held need for the tuba, the instrument has been seldom used in other contexts that garner mass appeal since the 1920s, when the double bass usurped the tuba as the bass instrument of choice in early jazz music. As a tuba player that has played in a variety of popular styles, I have arrived at the belief that the instrument's decline in use is the result of a number of practical and acoustic disadvantages that it has relative to other bass instruments that coevolved with these applications. I have recorded an album, The Fabulous Party Boys, that among other things attempts to overcome these disadvantages as they relate to funk music, and in this paper I will explicate what the disadvantages are as well as show how I have managed to mitigate them.en_US
dc.embargo.termsOpen Accessen_US
dc.format.mimetypeapplication/pdfen_US
dc.identifier.otherHansen_washington_0250E_14209.pdfen_US
dc.identifier.urihttp://hdl.handle.net/1773/33218
dc.language.isoen_USen_US
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dc.rightsCopyright is held by the individual authors.en_US
dc.subjectBass; Funk; Music; Performance; Sound; Tubaen_US
dc.subject.otherMusicen_US
dc.subject.othermusicen_US
dc.titleThe Fabulous Party Boys and Adapting the Tuba for Modern Popular Contextsen_US
dc.typeThesisen_US

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