c a s c a d e s

dc.contributor.advisorFrançois Durand, Joël
dc.contributor.authorCopeland, Darcy
dc.date.accessioned2021-08-26T18:13:49Z
dc.date.available2021-08-26T18:13:49Z
dc.date.issued2021-08-26
dc.date.submitted2021
dc.descriptionThesis (Master's)--University of Washington, 2021
dc.description.abstractPhilosopher Timothy Morton refers to climate change as a hyperobject, “a conceptual fact so large and complex that, like the internet, it can never be properly comprehended. Much of the complexity surrounding the idea of climate change is due to the incomprehensibility of the extent of an intricate and seemingly infinitely connected web of biofeedback loops, such as the albedo effect, which are accelerating the already staggering rate of climate devastation. c a s c a d e s is informed by these feedback loops and attempts to bring the intimately impactful, yet seemingly distant, effects of these feedback loops to the forefront of our perception. throughout the piece, electronics distort the listenersperception of cause and effect, what is real and what is artificial, what is impacting and what is being impacted.
dc.embargo.termsOpen Access
dc.format.mimetypeapplication/pdf
dc.identifier.otherCopeland_washington_0250O_23059.pdf
dc.identifier.urihttp://hdl.handle.net/1773/47661
dc.language.isoen_US
dc.rightsnone
dc.subject
dc.subjectMusical composition
dc.subject.otherMusic
dc.titlec a s c a d e s
dc.typeThesis

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