The Attribute Restored: Anna Banti as New Historian, Artist, Woman

dc.contributor.authorFaucette, Michael
dc.date.accessioned2015-08-04T19:14:28Z
dc.date.issued1994
dc.descriptionThesis(Ph. D.)--University of Washington, 1994en_US
dc.description.abstractThe study will include a translation of Anna Banti’s (1895-1985) Corte Savella (1960) as its nucleus, allowing for the development of a discussion of the style and themes that are consistently found in Banti’s opus. The translation will reflect a careful approach to bridging the distance between two histories and two cultures, as well as two languages (English and Italian). The role of symbolism will also be an integral part of the discussion of Banti’s works. Given her background in art history and her selection of Baroque artist Artemisia Gentileschi (1593-1652?) as protagonist of both a play (Corte Savella^ and a novel (Artemisia, 1947), symbolism will be explored in the worlds of art and of literature. Finally, the feminist issues manifested in Banti’s approach to historicism are important to an overall understanding of her oeuvre, particularly in view of Banti’s reluctance to be labeled a feminist.en_US
dc.embargo.termsUniversity of Washington campuses and via UW NetID. Full text may be available via ProQuest's Dissertations and Theses Full Text database or through your local library's interlibrary loan service.en_US
dc.format.extent191 leavesen_US
dc.identifier.other32395507en_US
dc.identifier.urihttp://hdl.handle.net/1773/33343
dc.language.isoen_USen_US
dc.rightsCopyright is held by the individual authors.en_US
dc.subject.otherTheses--Romance languages and literatureen_US
dc.titleThe Attribute Restored: Anna Banti as New Historian, Artist, Womanen_US
dc.typeThesisen_US

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