Kreuzspiel, Louange à l'Éternité de Jésus, and Mashups:Three Analytical Essays on Music from the Twentieth and Twenty-First Centuries

dc.contributor.advisor	Bernard, Jonathan W	en_US
dc.contributor.author	Johnson, Thomas	en_US
dc.date.accessioned	2013-07-25T17:54:03Z
dc.date.available	2013-07-25T17:54:03Z
dc.date.issued	2013-07-25
dc.date.submitted	2013	en_US
dc.description	Thesis (Master's)--University of Washington, 2013	en_US
dc.description.abstract	Three separate essays are presented. The first is an in-depth analysis of <italic>Kreuzspiel</italic> and its place within Stockhausen's <italic>oeuvre</italic>. The second considers the structure of Messiaen's <italic>Louange à l'Éternité de Jésus</italic> in terms of its harmonic interplay. The final essay investigates mashups through semiotic interpretations and formal analyses.	en_US
dc.embargo.terms	No embargo	en_US
dc.format.mimetype	application/pdf	en_US
dc.identifier.other	Johnson_washington_0250O_11944.pdf	en_US
dc.identifier.uri	http://hdl.handle.net/1773/23571
dc.language.iso	en_US	en_US
dc.rights	Copyright is held by the individual authors.	en_US
dc.subject	Kreuzspiel; Louange; Mashups; Messiaen; Music Analysis; Stockhausen	en_US
dc.subject.other	Music	en_US
dc.subject.other	music	en_US
dc.title	Kreuzspiel, Louange à l'Éternité de Jésus, and Mashups:Three Analytical Essays on Music from the Twentieth and Twenty-First Centuries	en_US
dc.type	Thesis	en_US

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